Gregory Montreuil<\/p>\n
Website: GregoryMontreuil.com<\/p>\n
Instagram@GregMontreuilArt<\/p>\n
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EDUCATION:<\/p>\n
Bachelor of Science Degree, Cum Laude, University of Minnesota, Moorhead, MN<\/p>\n
Art Education<\/p>\n
Born: Crookston Minnesota, USA<\/p>\n
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SOLO & TWO PERSON EXHIBITIONS:<\/p>\n
2023 “Distant Goal,” Rio Bravo Fine Art, Truth or Consequences, New Mexico<\/p>\n
2022 OAA Two-person exhibition\u00a0with Ana Montoya at Atelier Materia, Marseille, France<\/p>\n
“Convergent Paths: My Life and my Artwork; the role intuition, serendipity and risk have played in my life and my artwork.” Exhibition and Artist Talk sponsored\u00a0 by the Sierra Arts Council, Truth or Consequences, New Mexico<\/p>\n
2021 Solo Exhibition\u00a0at Kiosk, Cite’ Radieuse; Unite\u00a0d’Habitation, Marseille, France<\/p>\n
2020 \u201cWrestling With Color,\u201d Rio Bravo Fine Art, Truth or Consequences, NM<\/p>\n
2019\u00a0\u201cWhy Not,\u201d Pro Arts Gallery & Commons, Oakland CA<\/p>\n
2019 Group Show Rio Bravo Fine Art, Truth or Consequences, NM<\/p>\n
2019 Homecoming Alumni Exhibition, University of MN at Moorhead, Moorhead, MN<\/p>\n
2018 Group Show Rio Bravo Fine Art, Truth or Consequences, NM<\/p>\n
2017 \u201cUntil Now, A Retrospective, \u201dRio Bravo Fine Art, Truth or Consequences, NM<\/p>\n
2016 \u201dDynamic Force\/True Colors,\u201d Galerie Du Tableau, Marseille, France<\/p>\n
2014 \u201cControl Alt Delete,\u201d Galerie Du Tableau, Marseille, France<\/p>\n
2013 \u201cWrestling With Space,\u201d The Rourke Museum, Moorheard, MN<\/p>\n
2010 Rio Bravo Fine Art, Truth of Consequences, NM<\/p>\n
2008 Galerie Du Tableau, Marseille, France<\/p>\n
2005 Ou Gallery, Marseille, France<\/p>\n
2002 Galerie Du Tableau, Marseille, France<\/p>\n
2001 Galerie Du Tableau, Marseille, France<\/p>\n
1998 Jeffery Coploff Fine Art, New York, NY<\/p>\n
1996 \u201cFill Up,\u201d Annika Sundvik Gallery, New York, NY<\/p>\n
1989 Julian Pretto Gallery, New York, NY<\/p>\n
1988 Julian Pretto Gallery, New York, NY<\/p>\n
<\/p>\n
SELECTED EXHIBITIONS:<\/p>\n
2020\u00a0\u201cNAAM\u201d Marseille<\/p>\n
2016\u00a0\u201cThe 57th<\/sup>\u00a0Invitational,\u201d Rourke Museum, Moorhead, MN<\/p>\n 2015 \u201cThe 56th<\/sup>\u00a0Invitational,\u201d Rourke Museum, Moorhead, MN<\/p>\n 2014 \u201cLe Show Des Amis,\u201d Showroom Gowanus, Brooklyn, NY<\/p>\n \u201cThe 55th<\/sup>\u00a0 Invitational,\u201d Rourke Museum, Moorhead, MN<\/p>\n \u201cThe Moby Project,\u201d Neoteric Gallery, Amagansett, NY<\/p>\n \u201cPaper Mirror Torn,\u201d Brian Morris Gallery, New York, NY<\/p>\n 2012 \u201cThe 53rd<\/sup>\u00a0Invitational,\u201d Rourke Museum, Moorhead, MN<\/p>\n \u201cGroup Show,\u201d Tricycle, Marseille, France<\/p>\n 2011 \u201cCarte Blanche,\u201d Analix Forever Galerie, Geneva, Switzerland<\/p>\n \u201cArt in a Box,\u201d Cheryl Pelavin Gallery, New York, NY<\/p>\n \u201cBenefit,\u201d Samaratains, New York, NY<\/p>\n \u201cSummer Invitational,\u201d Rourke Museum, Moorhead, MN<\/p>\n \u201cCollaboration with Yves Musard,\u201d La Casita, Las Cruces, NM<\/p>\n \u201cThe Real LR Word,\u201d Ligne Roset, New York, NY<\/p>\n \u201cIt\u2019s All Good (Apocalypse Now),\u201dSideshow Gallery, Brooklyn, NY<\/p>\n 2010\u00a0\u201cPower to the People,\u201d Feature Gallery, New York, NY<\/p>\n \u201cAbstract 100,\u201d Curated by Tim Ray, University of Minnesota, Moorhead, MN<\/p>\n \u201cIt\u2019s A Wonderful Tenth,\u201d Side Show Gallery, Brooklyn, NY<\/p>\n 2009 \u201cArt and Democracy IV,\u201d Visual Artists Guild, Gallery H, New York, NY<\/p>\n \u201cOpen Studio,\u201d Tricycle Marseille, France<\/p>\n \u201cGroup Show,\u201d Tandem Global Partners, New York, NY<\/p>\n \u201cViewing Program,\u201d Sierra Vista Hospital, Truth or Consequences, NM<\/p>\n 2007 \u201cGroup Show,\u201d Entre Arts, Grenoble, Group Show<\/p>\n 2002 \u201cBlobs Wiggles and Dots, Webs and Crustillions,\u201d curated by Lucio Pozzi, The Work<\/p>\n Space, New York, NY<\/p>\n 2001 \u201cNew Acquisition\u201d, Weatherspoon Museum, University of North Carolina at<\/p>\n Greensboro, NC<\/p>\n 1999 \u201cGroup Show,\u201d Margaret Thatcher Projects, New York<\/p>\n \u201cFur Trans,\u201d Kunstlerhaus Hamburg, Germany<\/p>\n 1998 \u201cGroup Show,\u201d Galerie Barrouyer, Paris, France<\/p>\n \u201cAcquiring Art in the 90\u2019s: The Julian Pretto Collection,\u201d Wadsworth Athenaeum,<\/p>\n Hartford, CT<\/p>\n 1993 \u201dArtists from the Richard Brown Baker Collection,\u201d The Century Club,<\/p>\n New York, NY<\/p>\n \u201cContemporary Surfaces,\u201d Curated by Rick Ward, Pamela Auchincloss Gallery,<\/p>\n New York, NY<\/p>\n 1991 \u201cA question of Paint,\u201d curated by Charles Wright Jr., Hallwalls Contemporary Art<\/p>\n Center, Buffalo, NY<\/p>\n 1990 \u201cColor\u201d University of Maine Gallery of Art, Orono, ME<\/p>\n <\/p>\n PUBLICATIONS:<\/p>\n 2013\u00a0New York Observer, \u201cJulian Pretto At Minus Space\u201d Oct 1, 2013 by Andrew Russel<\/p>\n Arts and Humanities Newsletter, University of Minnesota, Moorhead, MN (Cover<\/p>\n And Feature)<\/p>\n The Fargo Forum, \u201cThe Main Event,\u201d April 28, 2013<\/p>\n Crookston Times, \u201cCrookston Native, Montreuil\u2019s Art on Display,\u201d June 4th<\/sup>\u00a02013<\/p>\n 2012\u00a0 Yale University Press, \u201cGet There First, Decide Promptly, The Richard Brown Baker<\/p>\n Collection of Postwar Art\u201d (Book)<\/p>\n 2011 INK, Las Cruces, NM \u201cBlack and White\u201d by Kathleen Sloan<\/p>\n 2010\u00a0The Herald, Truth or Consequences, NM \u201cBlack and White and Felt All Over,\u201d<\/p>\n By Kathleen Sloan, November 24th<\/sup>, 2010<\/p>\n 2006 \u201c560 Broadway: A New York Drawing Collection at Work, 1991-2006,\u201d by<\/p>\n Amy Eshoo (book)<\/p>\n 2001 \u201cA Question of Paint,\u201d Essay by Charles Wright Jr., Hallwalls, Buffalo, NY<\/p>\n 1998\u00a0Art Papers, \u201cAmanda Church and Gregory Montreuil\u201d by Elisabeth Condon<\/p>\n The Boston Globe, \u201cArt Grounded in Earth; Bursting Out and In,\u201d<\/p>\n by Cate McQuaid<\/p>\n M\/E\/A\/N\/I\/N\/I\/N\/G #20, New York, NY<\/p>\n 1995\u00a0M\/E\/A\/N\/I\/N\/G #16, New York, NY<\/p>\n <\/p>\n RESIDENCIES:<\/p>\n 2001 The Wurlitzer Foundation, Taos, NM<\/p>\n <\/p>\n COLLECTIONS:<\/p>\n Wadsworth Athenaeum, Hartford, CT<\/p>\n Prudential Insurance, Newark, NJ<\/p>\n The National Gallery, Washington, DC<\/p>\n Weatherspoon Museum, Greensboro, NC<\/p>\n Yale University, New Haven, CT<\/p>\n The Rourke Museum, Moorhead, MN<\/p>\n The Wurlitzer Foundation<\/p>\n <\/p>\n ART INSTRUCTOR:<\/p>\n 1997-2015 Goddard Riverside Community Center, New York, NY<\/p>\n 2012-2015 Council House, New York, NY<\/p>\n 2013-2015 S.T.A.R. Center, New York, NY<\/p>\n 1992 Parson School of Design, New York, NY Guest lecturer<\/p>\n \u201cMateriality and Social Sculpture\u201d<\/p>\n <\/p>\n ART WRITER:<\/p>\n Freelance articles for:<\/p>\n Flash Art International, Milan Italy,<\/p>\n New Art Examiner, Chicago, IL.<\/p>\n The Villager, New York, NY,<\/p>\n Contemporary Magazine, London, England,<\/p>\n Gay City News, New York, NY<\/p>\n And various catalogue essays<\/p>\n