EDUCATION:
\nBachelor of Science Degree, Cum Laude, University of Minnesota, Moorhead, MN
\nArt Education
\nBorn: Crookston Minnesota, USA<\/p>\n
<\/p>\n
SOLO & TWO PERSON EXHIBITIONS:
\n2018\u00a0 \u201cWhy Not\u201d (a window installation,) ProArts, Oakland, CA
\n2017 \u00a0\u201cUntil Now, A Retrospective,\u201dRio Bravo Fine Art, Truth or Consequences, NM
\n2016 \u00a0\u201dDynamic Force\/True Colors,\u201d Galerie Du Tableau, Marseille, France
\n2014 \u00a0\u201cControl Alt Delete,\u201d Galerie Du Tableau, Marseille, France
\n2013 \u00a0\u201c Wrestling With Space,\u201d The Rourke Museum, Moorheard, MN
\n2010 \u00a0Rio Bravo Fine Art, Truth of Consequences, NM
\n2008 \u00a0Galerie Du Tableau, Marseille, France
\n2005 \u00a0Ou Gallery, Marseille, France
\n2002 \u00a0Galerie Du Tableau, Marseille, France
\n2001 \u00a0Galerie Du Tableau, Marseille, France
\n1998 \u00a0Jeffery Coploff Fine Art, New York, NY
\n1996 \u00a0\u201cFill Up,\u201d Annika Sundvik Gallery, New York, NY
\n1989 \u00a0Julian Pretto Gallery, New York, NY
\n1988\u00a0 Julian Pretto Gallery, New York, NY<\/p>\n
<\/p>\n
SELECTED EXHIBITIONS: <\/p>\n RESIDENCIES: <\/p>\n COLLECTIONS: <\/p>\n ART INSTRUCTOR: <\/p>\n ART WRITER: EDUCATION: Bachelor of Science Degree, Cum Laude, University of Minnesota, Moorhead, MN Art Education Born: Crookston Minnesota, USA SOLO & TWO PERSON EXHIBITIONS: 2018\u00a0 \u201cWhy Not\u201d (a window installation,) ProArts, Oakland, CA 2017 \u00a0\u201cUntil Now, A Retrospective,\u201dRio Bravo Fine Art, Truth or Consequences, NM 2016 \u00a0\u201dDynamic Force\/True Colors,\u201d Galerie Du Tableau, Marseille, France 2014…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-9","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gregorymontreuil.com\/index.php?rest_route=\/wp\/v2\/pages\/9","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gregorymontreuil.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gregorymontreuil.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gregorymontreuil.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregorymontreuil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9"}],"version-history":[{"count":7,"href":"https:\/\/gregorymontreuil.com\/index.php?rest_route=\/wp\/v2\/pages\/9\/revisions"}],"predecessor-version":[{"id":154,"href":"https:\/\/gregorymontreuil.com\/index.php?rest_route=\/wp\/v2\/pages\/9\/revisions\/154"}],"wp:attachment":[{"href":"https:\/\/gregorymontreuil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n2016\u00a0 \u201cThe 57th<\/sup> Invitational,\u201d Rourke Museum, Moorhead, MN
\n2015\u00a0 \u201cThe 56th<\/sup> Invitational,\u201d Rourke Museum, Moorhead, MN
\n2014 \u00a0\u201cLe Show Des Amis,\u201d Showroom Gowanus, Brooklyn, NY
\n\u201cThe 55th<\/sup>\u00a0 Invitational,\u201d Rourke Museum, Moorhead, MN
\n\u201cThe Moby Project,\u201d Neoteric Gallery, Amagansett, NY
\n\u201cPaper Mirror Torn,\u201d Brian Morris Gallery, New York, NY
\n2012 \u00a0\u201cThe 53rd<\/sup> Invitational,\u201d Rourke Museum, Moorhead, MN
\n\u201cGroup Show,\u201d Tricycle, Marseille, France
\n2011\u00a0 \u201cCarte Blanche,\u201d Analix Forever Galerie, Geneva, Switzerland
\n\u201cArt in a Box,\u201d Cheryl Pelavin Gallery, New York, NY
\n\u201cBenefit,\u201d Samaritans, New York, NY
\n\u201cSummer Invitational,\u201d Rourke Museum, Moorhead, MN
\n\u201cCollaboration with Yves Musard,\u201d La Casita, Las Cruces, NM
\n\u201cThe Real LR Word,\u201d Ligne Roset, New York, NY
\n\u201cIt\u2019s All Good(Apocalypse Now),\u201dSideshow Gallery, Brooklyn, NY
\n2010\u00a0 \u00a0\u201cPower to the People,\u201d Feature Gallery, New York, NY
\n\u201cAbstract 100,\u201d Curated by Tim Ray, University of Minnesota, Moorhead, MN
\n\u201cIt\u2019s A Wonderful Tenth,\u201d Side Show Gallery, Brooklyn, NY
\n2009 \u00a0\u201cArt and Democracy IV,\u201d Visual Artists Guild, Gallery H, New York, NY
\n\u201cOpen Studio,\u201d Tricycle Marseille, France
\n\u201cGroup Show,\u201d Tandem Global Partners, New York, NY
\n\u201cViewing Program,\u201d Sierra Vista Hospital, Truth or Consequences, NM
\n2007 \u00a0\u201cGroup Show,\u201d Entre Arts, Grenoble, Group Show
\n2002 \u00a0\u201cBlobs Wiggles and Dots, Webs and Crustillions,\u201d curated by Lucio Pozzi, The Work
\nSpace, New York, NY
\n2001\u00a0 \u201cNew Acquisitions,\u201d Weatherspoon Museum, University of North Carolina at
\nGreensboro, NC
\n1999\u00a0 \u00a0\u201cGroup Show,\u201d Margaret Thatcher Projects, New York
\n\u201cFur Trans,\u201d Kunstlerhaus Hamburg, Germany
\n1998 \u00a0\u00a0\u201cGroup Show,\u201d Galerie Barrouyer, Paris, France
\n\u201cAcquiring Art in the 90\u2019s: The Julian Pretto Collection,\u201d Wadsworth Athenaeum,
\nHartford, CT
\n1993 \u00a0\u00a0\u201dArtists from the Richard Brown Baker Collection,\u201d The Century Club,
\nNew York, NY
\n\u201cContemporary Surfaces,\u201d Curated by Rick Ward, Pamela Auchincloss Gallery,
\nNew York, NY
\n1991\u00a0\u00a0 \u201cA question of Paint,\u201d Curated by Charles Wright Jr., Hallwalls Contemporary Art
\nCenter, Buffalo, NY
\n1990\u00a0 \u00a0\u00a0\u201cColor\u201d University of Maine Gallery of Art, Orono, ME
\nPUBLICATIONS:
\n2013\u00a0 New York Observer, \u201cJulian Pretto At Minus Space\u201d Oct 1, 2013 by Andrew Russel
\nArts and Humanities Newsletter, University of Minnesota, Moorhead, MN (Cover
\nAnd Feature)
\nThe Fargo Forum, \u201cThe Main Event,\u201d April 28, 2013
\nCrookston Times, \u201cCrookston Native, Montreuil\u2019s Art on Display,\u201d June 4th<\/sup> 2013
\n2012\u00a0 Yale University Press, \u201cGet There First, Decide Promptly, The Richard Brown Baker
\nCollection of Postwar Art\u201d (Book)
\n2011 \u00a0INK, Las Cruces, NM \u201cBlack and White\u201d by Kathleen Sloan
\n2010\u00a0 The Herald, Truth or Consequences, NM \u201cBlack and White and Felt All Over,\u201d
\nBy Kathleen Sloan, November 24th<\/sup>, 2010
\n2006 \u00a0\u201c560 Broadway: A New York Drawing Collection at Work, 1991-2006,\u201d by
\nAmy Eshoo (book)
\n2001 \u00a0\u201cA Question of Paint,\u201d Essay by Charles Wright Jr., Hallwalls, Buffalo, NY
\n1998\u00a0\u00a0 Art Papers, \u201cAmanda Church and Gregory Montreuil\u201d by Elisabeth Condon
\nThe Boston Globe, \u201cArt Grounded in Earth; Bursting Out and In,\u201d
\nBy Cate McQuaid
\nM\/E\/A\/N\/I\/N\/I\/N\/G #20, New York, NY
\n1995\u00a0 M\/E\/A\/N\/I\/N\/G #16, New York, NY<\/p>\n
\n2001 The Wurlitzer Foundation, Taos, NM<\/p>\n
\nWadsworth Athenaeum, Hartford, CT
\nPrudential Insurance, Newark, NJ
\nThe National Gallery, Washington, DC
\nWeatherspoon Museum, Greensboro, NC
\nYale University, New Haven, CT
\nThe Rourke Museum, Moorhead, MN
\nThe Wurlitzer Foundation<\/p>\n
\n1997-2015 Goddard Riverside Community Center, New York, NY
\n2012-2015 Council House, New York, NY
\n2013-2015 S.T.A.R. Center, New York, NY
\n1992 Parson School of Design, New York, NY Guest lecturer
\n\u201cMateriality and Social Sculpture\u201d<\/p>\n
\nFreelance articles for:
\nFlash Art International, Milan Italy,
\nNew Art Examiner, \u00a0Chicago, IL.
\nThe Villager, New York, NY,
\nContemporary Magazine, London, England,
\nGay City News, New York, NY
\nAnd various catalogue essays<\/p>\n","protected":false},"excerpt":{"rendered":"